Bob Weir Names Songs That Dead & Company Plan To Debut This Summer

first_imgWith Dead & Company tour just a few short weeks away, the band’s two iconic guitarists – Bob Weir and John Mayer – spoke to Rolling Stone at length about their upcoming plans. The two touched on everything from Mayer’s newfound passion for the Grateful Dead to specific plans for the band’s future, including a number of songs they’d like to play out on stage.According to the interview , Dead & Company are planning to add 20 more original Grateful Dead songs to the summer rotation, including “Passenger” and “Weather Report Suite.” He also spoke about some more tunes in the article, saying, “We need to finish up where ‘St. Stephen’ goes – there are other sections we didn’t have time to get to…”He continues, “And I’d like to work up ‘Box of Rain,’… The vocal register is right in John’s wheelhouse. I think I’ve talked him into it.” Weir also mentions “Days Between” in the article, but the interview must have been conducted before the band’s free performance last Monday, May 23rd at The Fillmore in San Francisco, CA. The group debuted that song, as well as “Big Railroad Blues” and “Queen Jane Approximately” for the performance. Watch it all here.John Mayer also recently spoke about some new songs on the docket, including “Dire Wolf,” “Throwing Stones,” “High Time” and “Foolish Heart.” Read more about that here.What else does the future hold for Dead & Company? A possible studio session, according to Weir. After another tour or two, the band is considering a visit to the studio to record something that combines new material with songs “never fully addressed” by the Dead in the studio, like “The Other One” or “Dark Star.” Says Weir, “That would be something of an adventure.”The interview also sees Weir juxtaposing Mayer with Trey Anastasio, who was on hand to celebrate the Dead’s 50th anniversary at the five Fare Thee Well performances. “John is a classicist by nature. Trey is more of an iconoclast… Juxtaposing Trey’s take on the material with the insights John brings got me looking at all of the songs afresh.”It’s nice to hear Bob Weir so excited about the Grateful Dead’s music, and about Dead & Company. Considering he recently spoke about his intentions to tour for the rest of his life, we can’t wait to see what the future will bring for Dead & Co! The tour starts June 10th, and full dates can be read here.[H/t Rolling Stone]last_img read more

Watch ‘The Allman Brothers’ Family Incident’ Perform A 17+ Minute ‘Jessica’ At Peach Fest [HD Video]

first_imgOn Friday night, the wonderful worlds of The Allman Brothers Band and The String Cheese Incident collided into an epic set of southern rock ballads. “The Allman Brothers’ Family Incident” came together at the very last minute, when Gregg Allman had to cancel his co-headlining set with the band, and members of Les Brers stepped in.The 2016 incarnation of the Allman Brothers Band, touring as Les Brers, includes founding members Jaimoe and Butch Trucks on drums, recent bassist Oteil Burbridge (Dead & Co.) and percussionist Marc Quiñones, and slide guitarist Jack Pearson (from 1997-99). In addition to these mushroom-official members, are vocalist Lamar Williams Jr. (son of bassist Lamar Williams who played in ABB after Berry Oakley) and keyboardist Bruce Katz, known as a regular member of Gregg Allman and Friends, Jaimoe’s Jasssz Band, and a frequent collaborator with ABB — making him the perfect fit for the B3 seat. In addition to these seven members of Les Brers, guitarist Scott Sharrard stepped in to help SCI perform the ever-expansive catalogue of the Allman Brothers Band, and has been assisting in the learning process over the past several weeks leading up to the epic tribute performance.The music of the Allman Brothers was both respected and enjoyed in a professional manner. The bluegrass-infused touch of the Cheese on an already southern book of songs made for a perfect cocktail to fans of either. The energy was at an all time high, with gratitude that the Peach Festival was able to pull off such a stellar replacement for Allman.Thanks to Rock, Roots, & Blues – Live! we can enjoy these high-definition videos below:Jessica w/ Butch Trucks, Oteil Burbridge, Jack Pearson, Bruce KatzTrouble No More w/ Jaimoe, Lamar Williams Jr., Bruce KatzAin’t Wastin’ Time No More w/ Butch Trucks, Oteil Burbridge, Jack Pearson, Bruce Katz Midnight RiderThe Allman Brothers’ Family Incident @ Peach Music Festival 8/12/16:Statesboro Blues w/ JaimoeMidnight Rider w/ Jaimoe, Marc QuiñonesTrouble No More w/ Jaimoe, Lamar Williams Jr., Bruce KatzSweet Melissa w/ Bruce KatzOutside And Inside w/ Marc QuiñonesAin’t Wastin’ Time No More w/ Butch Trucks, Oteil Burbridge, Jack Pearson, Bruce KatzQuinn The Eskimo w/ Butch Trucks, Jack Pearson, Bruce KatzJessica w/ Butch Trucks, Oteil Burbridge, Jack Pearson, Bruce Katzlast_img read more

Two Of The Late David Bowie’s Final Recordings Have Surfaced [Listen]

first_imgOne of the last projects David Bowie completed before his death earlier this year was Lazarus, a musical that pulled from his vast and varied catalogue of songs. This Friday, October 21st, a compilation album of material from Lazarus will be released via ISO/Columbia/RCA.In addition to the official cast recording of the show and Bowie’s version of the musical’s eerily prophetic title song, the Lazarus compilation will include three never-before-heard Bowie studio tracks. The three songs–“No Plan”, “Killing A Little Time”, and “When I Met You”–were recorded with the same band featured on Bowie’s final album Blackstar (stylized as a solid black five-pointed star), and have only been heard as performed by the cast of Lazarus (which includes the talented Michael C. Hall).Today, two of those three recordings–“When I Met You” and “No Plan”–were played on BBC radio. You can listen to “When I Met You” here (at 51:00) and its gloomy, dramatic counterpart “No Plan” here (46:00). Both of the tracks were recorded with Bowie’s longtime producer Tony Visconti.You can see the full track list for the Lazarus compilation below:CD 1:01. “Hello Mary Lou (Goodbye Heart)” – Ricky Nelson02. “Lazarus” – Michael C. Hall & Original New York Cast of Lazarus03. “It’s No Game” – Michael C. Hall, Lynn Craig & Original New York Cast of Lazarus04. “This Is Not America” – Sophia Anne Caruso & Original New York Cast of Lazarus05. “The Man Who Sold The World” – Charlie Pollack06. “No Plan” – Sophia Anne Caruso07. “Love Is Lost” – Michael Esper & Original New York Cast of Lazarus08. “Changes” – Cristin Milioti & Original New York Cast of Lazarus09. “Where Are We Now” – Michael C. Hall & Original New York Cast of Lazarus10. “Absolute Beginners” – Michael C. Hall, Cristin Milioti, Michael Esper, Sophia Anne Caruso, Krystina Alabado & Original New York Cast of Lazarus11. “Dirty Boys” – Michael Esper12. “Killing A Little Time” – Michael C. Hall13. “Life On Mars” – Sophia Anne Caruso14. “All The Young Dudes” – Nicholas Christopher, Lynn Craig, Michael Esper, Sophia Anne Caruso & Original New York Cast of Lazarus15. “Sound And Vision” – David Bowie16. “Always Crashing in the Same Car” – Cristin Milioti17. “Valentine’s Day” – Michael Esper & Original New York Cast of Lazarus18. “When I Met You” – Michael C. Hall & Krystina Alabado19. “Heroes – 4:43” – Michael C. Hall, Sophia Anne Caruso & Original New York Cast of LazarusCD 2:01. “Lazarus” – David Bowie02. “No Plan” – David Bowie03. “Killing A Little Time” – David Bowie04. “When I Met You” – David Bowie[h/t – Consequence of Sound]last_img read more

Watch Béla Fleck Perform & Answer Questions Live From The New York Times

first_imgBéla Fleck is widely recognized as one of the world’s premier banjo players, and is currently in NYC to perform a live show and answer fan questions at The New York Times headquarters. Jon Pareles, chief pop music critic for The Times, will be in the room to ask those questions. He will be joined by Caryn Ganz, The Times’s pop music editor, who will be chatting with the audience and providing insight throughout. You can submit your own questions here.last_img

Mungion Has Van, Trailer, Gear, Lights, And All Stolen Ahead Of First-Ever Headlining Tour

first_imgLate last week while on the road for their first headlining tour, Chicago band Mungion faced quite the unfortunate circumstance, when their van, trailer and subsequently, all of their gear, were stolen from the West Village neighborhood in Detroit, MI. The theft took place at 11 am CST on Friday, August 25th. In an effort to recover the missing gear—including their instruments, lighting rig, monitors, amps, merch, and more—the band has launched a GoFundMe campaign earlier today, hoping to make a dent in the estimated $41,500 worth of loss.Mungion has issued the following statement via Facebook:Last weekend, while on the road, we were staying out in Detroit and woke up to find our van and trailer stolen with all of our gear, merchandise, lights, and other valuable belongings in them. Although we are grateful that everyone is safe, our livelihood was taken from us in the blink of an eye. After going from door to door in the neighborhood we were able to track down some surveillance video that showed two men breaking in and stealing our van and trailer. Unfortunately, there was not much the authorities or anyone could do. After filing the police report and talking to neighbors we piled up in a hatchback and drove 6 hours to New York to play because the show must always go on!Our very first tour as a headlining band is coming up in the next week and we need your help to get us back on our feet. Everything that was taken from us is estimated at around $50,000 total. Now more than ever, we need the help from our Mung Family to pick us back up and make the force even stronger! Any donations will help, big or small. We promise to reciprocate all of the positive energy and love through each and every show we play. We are able to do what we love because of ALL of you and could not imagine going through this journey alone. WE thank you in advance for all of your help, love, and support. We know that something like this will only make us stronger.The band is hoping friends and fans alike will help spread the word via social media. If you have any more information on the whereabouts of the band’s belongings, please contact them via their GoFundMe campaign or reach out to their publicist at: [email protected] those unfamiliar with Mungion and their music, please enjoy a video of “Sloob Syndrome” shot live at Chrysler Studios last October:Please consider helping Mungion during this terrible time, and donate to the GoFundMe here:As of now, all scheduled dates will go on as planned; please find a full list below. More Info here.MUNGION // 2017 Tour Dates9/7 – Denver, CO – Globe Hall9/9 – Bellvue, CO – Canyon Jam @ The Mishawaka9/13 – Omaha, NE – Slowdown9/14 – Des Moines, IA – Vaudeville Mews9/21 – Thornville, OH – Resonance Music and Arts Festival9/28 – Stevens Point, WI – The Encore9/29 – Menasha, WI – The Source Public House9/30 – Minneapolis, MN – The Hook and Ladder10/18 – Columbus, OH – Notes10/19 – Cincinnati, OH – Octave10/20 – Peoria, IL – Kenny’s Westside Pub10/21 – Urbana, IL – The Canopy Club10/27 – Palatine, IL – Durty Nellie’s11/4 – Dekalb, IL – The House Cafe11/8 – Grand Rapids, MI – The Stache11/9 – Ferndale, MI – Parliament Room at Otus Supply11/10 – Cleveland, OH – Grog Shop11/11 – Erie, PA – Kings Rook Club11/14 – Buffalo, NY – Buffalo Iron Works11/15 – New York, NY – American Beauty11/16 – Northampton, MA – Iron Horse Music Hall11/17 – Allston, MA – Great Scott11/18 – Burlington, VT – Nectar’slast_img read more

Summer Camp Music Festival Confirms 2018 Dates With “Carl” From ‘Shameless’ Interview [Video]

first_imgSummer Camp Music Festival is truly one of the mainstays of the live music scene, as host bands moe. and Umphrey’s McGee never fail to organize a top tier event. The festival officially unveiled plans for 2018, set to return to Three Sisters Park in Chillicothe, IL over Memorial Day weekend, May 25-27, with a video from one of their newest fans. Ethan Cutkosky (also known as “Carl” from the Showtime series Shameless) was in attendance at the 2017 event, fitting right on in with the 20,000+ fans on site. While first sticking out as one of the most random celebrities there–though many in the music community knew Cutkosky from sightings at EDM shows in the Chicago area–he was officially a “scamper” by the end of the three day weekend.Carl From “Shameless” Rages Umphrey’s McGeeIn the video below, Cutkosky reveals the 2018 dates and urges fans to stay tuned for information on the Advanced Early-Bird Passes, the first round of artist announcements, and more. The video then cuts to an interview with Cutkosky that took place during Summer Camp 2017, where he describes the weekend as the “best time of [his] life”, attributing the positive experience to the music, the vibe, and the amazing community. In addition to the festival’s host bands, he shouts out Manic Focus and Pretty Lights as acts he’s most excited to see.Watch the “Shameless Self-Promotion” below, and head to the website for more information:last_img read more

PHOTOS: Jaimoe’s Jasssz Band At The Iridium Jazz Club In NYC 12/13/17

first_imgLoad remaining images On Wednesday, December 13, drummer Jaimoe took the stage with Jasssz Band at The Iridium Jazz Club for his monthly residency in New York City. The original Allman Brothers Band member is one of two surviving founders with us today, and any chance to see him is beyond special. During his concert performance, which included Allman Brothers tunes and classic jazz/blues covers, Jaimoe addressed the recent announcement from Dickey Betts that he plans to tour in 2018. While the decision was pending for quite some time, Jaimoe tells the audience how he called the former ABB guitarist/singer/songwriter and urged him to do what he does best: play live music. You can watch that segment of the evening in the video below:Check out the full gallery from photographer Eric Gettler!Jaimoe’s Jasssz Band | The Iridium | NYC | 12/13/17last_img read more

Spafford Hits Terrapin Crossroads For Packed Two-Night Run [Audio/Video/Photos]

first_imgLoad remaining images Photo: Ron Adelberg This past weekend, Spafford continued their extensive 2018 “For Amusement Only” tour with their first-ever stint at fan-favorite bay area venue Terrapin Crossroads. While they were originally scheduled to play just one show on Saturday, March 3rd, a second date was added the following night due to overwhelming demand.Saturday’s first set opened with a well-executed “Todd’s Tots”. The band was clearly locked in as it soared to a blissful peak landing before the tune’s closing theme. Next came the John Hiatt tune “Memphis in the Meantime”, which quickly picked up steam as the band led the audience through a dark, spacey section that built up to a ripping solo from guitarist Brian Moss. “Memphis” finally dropped into a swanky groove before melting into “Backdoor Funk”. By this point, the room was bursting with energy as a smiling Jordan Fairless sang out the chorus to this fan favorite. Spafford then moved into a gleeful “Hollywood”, which surprisingly launched into an incredible jam that segued into a glorious set-closing “In the Eyes of Thieves”.Set two began with an energetic rendition of “Lonely” that continued into a crunchy segment of sonic synths from keyboardist Red Johnson, electric drums from Cameron Laforest, driving bass from Jordan, and mind-melting guitar from Brian. After landing smoothly back in “Lonely” territory, the band continued onwards with a bust out: their first performance of “Too Close” since 8/3/13 (269 shows) and third-ever live rendition of the Alex Clare tune.“America” came next, almost immediately dropping into a wonderful improv session. Initially, Red’s keyboard lines sounded similar to “When a Fire Starts to Burn” by Disclosure, but the group swiftly delved deeper into a serene cohesiveness. Next came staple live cover “On Fire” (originally by JJ Grey & Mofro) followed by a newer tune, “My Road (My Road)”, debuted last October in Madison, WI. This pensive song started with a leisurely gait but soon evolved into an intense aural force. As Red’s vocals closed the tune, Spafford eased into the happy melodies of “Salamander Song” to close the set. The band finally finished out an incredible night one at Terrapin Crossroads with “The Reprise” in the encore slot, the band effortlessly bringing it to one final, soaring peak.Spafford – Full Audio – 3/3/2018[Audio: Matt Moricle]Setlist: Spafford | Terrapin Crossroads | San Rafael, CA | 3/3/18Set 1: Todd’s Tots, Memphis In The Meantime, Backdoor Funk, Hollywood, In The Eyes Of ThievesSet 2: Lonely, Too Close, America, On Fire, My Road (My Road) > Salamander SongEncore: The RepriseSunday night’s “bonus” show started off with “Eternity”, a fun and lyrically inspiring opener. Next, Red signaled in a roaring rendition of “The Remedy” that had the packed room instantly dancing. From there, Spafford landed into a cool, placid “Legend”, which showcases their mastery of dynamics by weaving through crescendos both instrumentally and vocally.One of the highlights from the show was certainly the “Electric Taco Stand” that followed. Brian’s guitar playfully bounced along as the band harnessed an increasingly faster groove, evoking emotion via fluttering guitar before fading into an incredible “Alternate Ending” and, finally, back into “Electric Taco Stand”. The band closed out set one with a pair of newer tunes, 2017 debut “Lovesick Melody” and 2018 debut “Soil”, which sported a ripping jam along with its swaying melody.“All In” kicked off the final set of the run, leading the audience through its characteristic heavy-hitting groove. That moved into an easy-going section, which in turn built back up to a penetrating pinnacle. The opening drum hits of “Slip and Squander” cooled things down momentarily before the group launched back into the musical cosmos. From there, the band kicked into a thumping electronic jam behind Red and Cameron before moving into their fan-favorite cover of Tears for Fears‘ “Mad World”.Next, Spafford provided the perfect thematic counterpoint to “Mad World” with “Beautiful Day”. As the song’s final notes faded out, Jordan and Brian hit the throttle and steered the band into a set-closing “Galisteo Way”. To cap it all off, Spafford treated the crowd to elusive favorite “Double Time” for the first time since night two of their incredible Asheville, NC run in 2017.Spafford – Full Audio – 3/4/2018[Audio: Matt Moricle]Spafford – Set One Video – 3/4/2018[Video: Must Have Media]Spafford – Set Two Video – 3/4/2018[Video: Must Have Media]Setlist: Spafford | Terrapin Crossroads | San Rafael, CA | 3/4/18Set 1: Eternity, The Remedy, Legend, Electric Taco Stand > Alternate Ending > Electric Taco Stand, Lovesick Melody > SoilSet 2: All In, Slip And Squander, Mad World, Beautiful Day, Galisteo WayEncore: Double TimeBelow, you can check out a gallery of photos from Spafford’s 3/4/18 show at Terrapin Crossroads courtesy of Ron Adelberg.Spafford continues their “For Amusement Only” tour tomorrow, Wednesday, March 7th in Bend, OR. For a list of upcoming Spafford dates, head to the band’s website.Spafford | Terrapin Crossroads | San Rafael, CA | 3/4/18 | Photos: Ron Adelberglast_img read more

Dead & Company Celebrates 100th Show With A Real Good Time At Blossom [Photos/Videos]

first_imgLoad remaining images On Wednesday night, Dead & Company headed to Cuyahoga Falls, OH for a performance at the scenic and storied Blossom Music Center. The show marked the 13th night of their 2018 summer tour, but on this night, the band was honoring a much more significant milestone: their 100th performance.Contrasting their even-keeled start at Darien Lake Performing Arts Center the night before, the band got the show started with a thick, funky “Feel Like A Stranger”, Oteil Burbridge providing the groove’s melodic framework while Jeff Chimenti filled the space with an array of keyboard tones to light the night’s fuse. Let’s get on with the show…Dead & Company – “Feel Like A Stranger” [Pro-Shot][Video: Nugs.tv]Next up was a John Mayer-led “They Love Each Other”, a song that has consistently shined in the Dead & Co arena. This version was no different, as well-placed guitar harmonics by Bob Weir and gospel organ fills by Chimenti gave the accompaniment a sprawling sonic texture. A rendition of “It’s All Over Now”, the Bobby and Shirley Womack-penned rock classic popularized by The Rolling Stones on their 1964 sophomore album, 12 X 5, came next.Dead & Company – “They Love Each Other” [Fan-Shot][Video: Borrowed Tune]The band slowed things down next with a swaying rendition of “Row Jimmy”, their second of the tour. From there, they maintained their easy-going pace but once again picked up the funk they began with as they sauntered through “West L.A. Fadeaway”. Rather than fade away, this “West L.A.” maintained its steady forward march as John and Bobby traded guitar licks and Chimenti added an excellent organ solo.“Loose Lucy” got the call next, the crowd singing along as Weir thanked Dead & Co’s centennial-show crowd for a real good time over the past three(ish) years. The smooth swing of Jerry Garcia/Robert Hunter‘s From the Mars Hotel ballad “Ship of Fools” followed, Mayer and Burbridge trading lead vocals to the audible delight of the crowd. Finally, the band closed out the show’s well above-average first set with the tour debut of “Passenger”, the rocking Phil Lesh/Peter Monk original recorded for 1977’s Terrapin Station.Dead & Company – “Ship of Fools” [Fan-Shot][Video: Borrowed Tune]Following set break, the band led into set two with the classic pairing of “Lost Sailor” > “Saint of Circumstance”, returning them to the second set opener slot for the first time since 6/7/17 after closing the first set in their last two appearances.Dead & Company – “Lost Sailor” > “Saint of Circumstance” [Pro-Shot][Nugs.tv]From there, the band flowed into “He’s Gone”, taking their time as they stretched the song into a slow-burning blues breakdown. Out of “He’s Gone” bloomed “Scarlet Begonias”, led with gusto by Weir while the audience sang along. The “Scarlet” jam moved from high-energy rock peaks to ambient jazz-inflected space and back again before picking up the familiar wah-wah swell of “Fire on the Mountain”. After propelling the tune’s intro with some particularly impressive bass lines, Oteil Burbridge stepped to the mic to take lead vocals on the second half of the classic song pairing while Mayer peppered in cascading guitar licks.A bellow from Mickey Hart‘s “Beam” signaled the start of his and Bill Kreutzmann‘s nightly “Drums/Space” segment, although the “Drums” portion remained light on percussion and heavy on the ambiance, setting it apart from many of their explorations this tour. The spacey “Drums” drifted further out there as the band rejoined the stage for “Space” proper, and only rediscovered Kreutzmann’s driving backbeat as they finally landed in a succinct “I Need A Miracle”.From there, the band executed their second flowing cover of The Beatles’ “Dear Prudence” of the summer. Bobby led the way for the sing-along, which cemented itself as the set’s emotional climax as the entire band pushed it to a hair-raising peak. Finally, the band closed the set with a “Throwing Stones” victory lap featuring a sticky funk breakdown before returning to the stage on last time for a “Knockin’ On Heaven’s Door” encore.Next up for Dead & Company is a two-night stint at the recently re-opened Alpine Valley Music Theatre in East Troy, WI on Friday, June 22nd and Saturday, June 23rd—a shed where the Grateful Dead had a rocky yet musically fruitful history. For a full list of Dead & Company’s upcoming dates, head here.Below, you can check out a full gallery of beautiful shots from Dead & Company’s Blossom performance courtesy of photographer Daniel Ojeda.Setlist: Dead & Company | Blossom Music Center | Cuyahoga Falls, OH | 6/20/18 Set One: Feel Like A Stranger, They Love Each Other, It’s All Over Now, Row Jimmy, West L.A. Fadeaway, Loose Lucy, Ship of Fools, PassengerSet Two: Lost Sailor > Saint of Circumstance > He’s Gone > Scarlet Begonias > Fire on the Mountain > Drums/Space > I Need A Miracle > Dear Prudence, Throwing StonesEncore: Knockin’ On Heaven’s DoorYou can listen to a full soundboard recording of the show via Nugs.net.Dead & Company | Blossom Music Center | Cuyahoga Falls, OH | 6/20/18 | Photos: Daniel Ojeda Photo: Daniel Ojedalast_img read more

Neil Young, Joni Mitchell, & More 1968 Canterbury House Recordings Have Been Found

first_imgThe Michigan History Project has unearthed several seven-inch reel-to-reel audio tapes recorded at a student ministry at the University of Michigan in 1968, including live performances by Neil Young, Joni Mitchell, Tim Buckley, Odetta, David Ackles, and Dave Van Ronk. The recordings came out of a countercultural hub in the 1960s, the Canterbury House in Ann Arbor, Michigan.According to Rolling Stone, the Michigan History Project have acquired the special recordings and are in search of a record label interested in releasing them.“We learned of the existence of the tapes about six years ago,” said Alan Glenn, President of the Michigan History Project. “They were in the possession of a private collector. Then they disappeared, and we were afraid they were gone for good. But a few weeks ago they resurfaced, much to our surprise and relief. Now our first priority will be to get them transferred to a digital format, then make sure that the original analog tapes are safely archived.”Chris Goosman, Michigan-based mastering engineer, also said of the recordings, “These from Canterbury House aren’t audience-recorded bootlegs but first-rate soundboard captures made on professional equipment. It’s an amazing collection with the rare combination of being well-recorded and also well-preserved, and that makes it even more historically significant.”The Michigan History Project also confirmed that the recordings were made with consent from the performing artists.Neil Young performed at the Canterbury House on November 8, 9, and 10 of 1968, with the latter two nights featured on his Sugar Mountain – Live at Canterbury House 1968. Though, the November 8th concert has yet to see the day of light. According to Rolling Stone, “It’s unclear which date(s) the Michigan History Project is in possession of.”Rolling Stone also notes that “Artists like Frank Zappa and the Mothers of Invention, Buddy Guy, Sun Ra, Richie Havens and more also performed at the Canterbury House during the era, but recordings of those gigs have not yet been found.”[via Rolling Stone]last_img read more