Load remaining images On Wednesday night, Dead & Company headed to Cuyahoga Falls, OH for a performance at the scenic and storied Blossom Music Center. The show marked the 13th night of their 2018 summer tour, but on this night, the band was honoring a much more significant milestone: their 100th performance.Contrasting their even-keeled start at Darien Lake Performing Arts Center the night before, the band got the show started with a thick, funky “Feel Like A Stranger”, Oteil Burbridge providing the groove’s melodic framework while Jeff Chimenti filled the space with an array of keyboard tones to light the night’s fuse. Let’s get on with the show…Dead & Company – “Feel Like A Stranger” [Pro-Shot][Video: Nugs.tv]Next up was a John Mayer-led “They Love Each Other”, a song that has consistently shined in the Dead & Co arena. This version was no different, as well-placed guitar harmonics by Bob Weir and gospel organ fills by Chimenti gave the accompaniment a sprawling sonic texture. A rendition of “It’s All Over Now”, the Bobby and Shirley Womack-penned rock classic popularized by The Rolling Stones on their 1964 sophomore album, 12 X 5, came next.Dead & Company – “They Love Each Other” [Fan-Shot][Video: Borrowed Tune]The band slowed things down next with a swaying rendition of “Row Jimmy”, their second of the tour. From there, they maintained their easy-going pace but once again picked up the funk they began with as they sauntered through “West L.A. Fadeaway”. Rather than fade away, this “West L.A.” maintained its steady forward march as John and Bobby traded guitar licks and Chimenti added an excellent organ solo.“Loose Lucy” got the call next, the crowd singing along as Weir thanked Dead & Co’s centennial-show crowd for a real good time over the past three(ish) years. The smooth swing of Jerry Garcia/Robert Hunter‘s From the Mars Hotel ballad “Ship of Fools” followed, Mayer and Burbridge trading lead vocals to the audible delight of the crowd. Finally, the band closed out the show’s well above-average first set with the tour debut of “Passenger”, the rocking Phil Lesh/Peter Monk original recorded for 1977’s Terrapin Station.Dead & Company – “Ship of Fools” [Fan-Shot][Video: Borrowed Tune]Following set break, the band led into set two with the classic pairing of “Lost Sailor” > “Saint of Circumstance”, returning them to the second set opener slot for the first time since 6/7/17 after closing the first set in their last two appearances.Dead & Company – “Lost Sailor” > “Saint of Circumstance” [Pro-Shot][Nugs.tv]From there, the band flowed into “He’s Gone”, taking their time as they stretched the song into a slow-burning blues breakdown. Out of “He’s Gone” bloomed “Scarlet Begonias”, led with gusto by Weir while the audience sang along. The “Scarlet” jam moved from high-energy rock peaks to ambient jazz-inflected space and back again before picking up the familiar wah-wah swell of “Fire on the Mountain”. After propelling the tune’s intro with some particularly impressive bass lines, Oteil Burbridge stepped to the mic to take lead vocals on the second half of the classic song pairing while Mayer peppered in cascading guitar licks.A bellow from Mickey Hart‘s “Beam” signaled the start of his and Bill Kreutzmann‘s nightly “Drums/Space” segment, although the “Drums” portion remained light on percussion and heavy on the ambiance, setting it apart from many of their explorations this tour. The spacey “Drums” drifted further out there as the band rejoined the stage for “Space” proper, and only rediscovered Kreutzmann’s driving backbeat as they finally landed in a succinct “I Need A Miracle”.From there, the band executed their second flowing cover of The Beatles’ “Dear Prudence” of the summer. Bobby led the way for the sing-along, which cemented itself as the set’s emotional climax as the entire band pushed it to a hair-raising peak. Finally, the band closed the set with a “Throwing Stones” victory lap featuring a sticky funk breakdown before returning to the stage on last time for a “Knockin’ On Heaven’s Door” encore.Next up for Dead & Company is a two-night stint at the recently re-opened Alpine Valley Music Theatre in East Troy, WI on Friday, June 22nd and Saturday, June 23rd—a shed where the Grateful Dead had a rocky yet musically fruitful history. For a full list of Dead & Company’s upcoming dates, head here.Below, you can check out a full gallery of beautiful shots from Dead & Company’s Blossom performance courtesy of photographer Daniel Ojeda.Setlist: Dead & Company | Blossom Music Center | Cuyahoga Falls, OH | 6/20/18 Set One: Feel Like A Stranger, They Love Each Other, It’s All Over Now, Row Jimmy, West L.A. Fadeaway, Loose Lucy, Ship of Fools, PassengerSet Two: Lost Sailor > Saint of Circumstance > He’s Gone > Scarlet Begonias > Fire on the Mountain > Drums/Space > I Need A Miracle > Dear Prudence, Throwing StonesEncore: Knockin’ On Heaven’s DoorYou can listen to a full soundboard recording of the show via Nugs.net.Dead & Company | Blossom Music Center | Cuyahoga Falls, OH | 6/20/18 | Photos: Daniel Ojeda Photo: Daniel Ojeda
“This is the outcome investors were looking for,” she added. “The policy certainty it provides will help unlock the additional flows of capital required to deliver a climate neutral future.”Pfeifer called on other political leaders to follow suit, saying “this is what delivering the Paris Agreement looks like”.The IIGCC and more than 40 of its members had earlier this month called on EU leaders to approve a net zero emissions target at the European Council.Signatories included asset managers such as Aberdeen Standard Investments, Hermes Investment Management, and Legal and General Investment Management.Ingrid Holmes, head of policy and advocacy at Hermes, welcomed the Council’s approval of the net-zero target but said “execution is imperative”.“It will be interesting to see how each of the member states goes about addressing their commitments,” she added.At BNP Paribas Asset Management, meanwhile, Helena Viñes Fiestas, global head of stewardship and policy, said: the Commission and EU member states were “putting their ambition where science is”.“All EU countries have a duty to support carbon neutrality, and the measures needed to ensure that each economic sector transitions to net zero emissions by 2050,” she said. “That’s why approval of the target today is so important and such a significant step forward.” The EU Council has endorsed an objective for the EU economy to become climate-neutral by 2050, a move that investors welcomed as delivering what was needed from world leaders.According to a Council document, the agreement came despite one member state, reportedly Poland, not being able to commit to implement the 2050 objective at this stage. The Council “will come back to this” in June next year, it said.The 2050 target is a key element of the Green Deal presented by the European Commission on Wednesday; the Commission said it would within 100 days table a proposal to enshrine the 2050 goal in legislation.Stephanie Pfeifer, chief executive officer of the Institutional Investors Group on Climate Change (IIGCC), said the news about the Council’s position meant “member states are now fully committed to the long-term transformation of the European economy at the highest political level, in line with a 1.5 degree future”.
On Thursday, June 5, 2014, a customer of a local bank walked into the offices of the Daily Observer and in his hand was a wad of mutilated Liberian dollar banknotes. The banknotes were all in L$50 denomination valued at about L$600.00. Some of the notes were torn and taped; some had mixed serial numbers, while others just looked very bad.This bank customer, name withheld, explained that the mutilated bills were among thousands of Liberian dollars he withdrew from the local bank, name withheld. He alleged that the mutilated banknote was among the money the teller paid him. “I didn’t check the money at the counter because it was a huge amount. But when I got somewhere safer to check it, I observed that a huge amount of the money, mainly the L$50 bills, were mutilated,” he explained.The business desk of the Daily Observer is withholding the names of the local bank and the customer involved because he [customer] admitted that he didn’t check the money at the bank [counter] in line with banking policy.It is a major policy of banks requiring all customers to check their monies on the counter immediately after they are paid by the teller.Meanwhile, the Central Bank of Liberia (CBL) has a window at its Warren Street Banking Hall that accepts mutilated banknotes. This customer was immediately requested by our business desk to proceed to the CBL to change his mutilated money. Meanwhile, bank customers including the general public, have also complained about mutilated L$5 banknotes in circulation.Most bank customers complain about the mutilated L$5 at banking halls, with some going to the extent of refusing it because of the L$5 banknote are mutilated. Most businesses, to include market women and other traders, will not accept mutilated money from customers. As such, it is unclear why bank would circulate them.Nonetheless, mutilated bank notes are also a business opportunity for many yanna boys. Passing through Monrovia and its environs with a loudspeaker in hand, yanna boys announce that they will exchange ‘tear-tear’ money (mutilated banknotes) for good ones — for fifty percent of the value, that is. For example, a yanna boy will exchange a mutilated L$50 for L$25. Would the buyer rather lose the whole L$50 or at least get L$25 out of it? Yanna boys of course know about the Central Bank window, which most customers may not, or may not have the time to visit. A matter of opportunity cost.Such is the nature of business — one man’s problem is another man’s business idea. As such, while Liberians may be angry about getting tear-tear bank notes from their banks, business is probably booming for yanna boys.Share this:Click to share on Twitter (Opens in new window)Click to share on Facebook (Opens in new window)